The climate crisis is still accelerating. In 2023 global greenhouse gas emissions remain at record-high levels. Back in 2021 at COP26, the UK’s chief scientist said “changes in behaviour are needed to tackle the climate crisis”, but how do we connect hearts and minds to bring this behaviour change about?
Dr Carla Benzan, who is co-leading The Open University’s Open Societal Challenge Art and Ecology project and specialises in History of Art said, “Our way out of our current crisis requires not just technological solutions, but a wholescale shift in the way people think about environmental issues.”
The Art and Ecology project sets out to change the way that people understand today’s ecological crisis through the art and visual cultures of the past. The project responds to the current need to transform public attitudes to the climate emergency, moving away from complacency and pessimism towards curiosity and active engagement – something which is crucial to stem our current greenhouse gas emissions.
The project aims to disprove the incorrectly held view that the Arts and Humanities are fundamentally separated from scientific knowledge, and that only the science holds solutions to environmental crisis. Although science provides the tools that are needed to address the climate crisis, without adoption little will change. Art is a powerful tool to engage individuals, communities, and organisations on emotive topics – such as pollution, loss of biodiversity, extreme weather and climate refugees, all caused by the climate crisis.
Objects and images have the power to change the way people perceive the world. Museums across the UK, hold an incredible amount of material through which to tell stories about the ecological crisis. What is currently missing are the people to highlight the relevant connections, create the resources, and take the conversation to as many people as possible. Art and Ecology is collaborating with museums across the four Nations of the UK that span art, natural history, science, and technology. Working with these museums, and the range of objects within them, offers a means of engaging interdisciplinary conversations about crucial topics such as climate breakdown, sustainability, urban growth, human-animal relations, and biodiversity.
Art and Ecology will create a range of resources to promote and support these conversations, including an Art and Ecology Film Series of 12 short films drawing on the research of OU academics across disciplinaries and nations; an open-access resource hub online platform where educators and museum professionals will be able to access a comprehensive suite of resource packages; and an Art and Ecology exhibition that brings together the art and scientific objects and artifacts that feature in the film series
This collection will be further supported by Continuing Professional Development workshops with teachers and museum professionals, creative activity stalls at Science Festivals; and social media campaigns to shift the way that people understand and approach climate crisis. The project then has an ambitious aim to create global connections that allow the collections in the Four Nations of the UK to connect with partners in the global South, expanding the range of topics covered by new films.
Dr Samuel Shaw, co-lead for the project and specialist in History of Art, said, “We have successfully led the production of the first two films through planning, devising and implementation. In 2021 we established the network Open Ecologies, an Open University (OU)-based group of interdisciplinary researchers working on ecological subjects. The membership of Open Ecologies is drawn from across the Faculty of Arts and Social Sciences and the Faculty of Science, Technology, Engineering and Mathematics. This is an exciting project that marries science and art. We have an active network of external collaborators outside of the OU and have developed strong working relationships with Art UK, various museums across the Four Nations, and with charities including the RSPB. This, and the broad reach of the OU as an institution, puts us in an excellent position to take up this societal challenge, and to create long-term change in the way people understand both art and ecology.”